Saw this editorial today at the bookstore. Patrick Demarchelier shoots touchpuppet idol Isabeli Fontana for the June / July 2009 issue of Vogue Paris. Style by Véronique Didry.

21 Jun 09  /  Models, Photography  /  No Comments  /  Zachary Hayes

Steven Klein shoots Bruce Willis & Emma Heming for the July 2009 issue of W Magazine. Article here. Images after the jump.
“We’re sickening,” Bruce says, shaking his head in mock disgust.

21 Jun 09  /  Photography  /  No Comments  /  Zachary Hayes

Touchpuppet’s favorite Natalia with a bubblegum/Touchpuppet pink bob for W in 2006. Shot by Craig McDean.
Via the perpetually pink mopped Gala.

21 Jun 09  /  Fashion, Models  /  4 Comments  /  Zachary Hayes

Ellen von Unwerth shoots Anja Rubik for the April 2009 issue of Vogue Italia.

19 Jun 09  /  Photography  /  2 Comments  /  Zachary Hayes

Absolutely love this video. Reminds me of The Fall.
Via: Army of Colour

19 Jun 09  /  Uncategorized  /  No Comments  /  Zachary Hayes

Rather entertaining story from NY Magazine on some Brooklyn artists who built rafts out of New York city garbage in hopes of floating into this years Biennale di Venezia contemporary art exhibition.
The Brooklyn artist Swoon and her merry band of anarchists from deepest Bushwick are invading the Venice Biennale this week—on boats built from garbage. New York City garbage. …
Swoon and her group are emissaries from a specific underground culture: the bike-riding, Dumpster-diving, anarchist street-art movement that has flourished in Bushwick, Greenpoint, and areas near the Gowanus Canal over the past decade.
Full article here. More images after the [...]

19 Jun 09  /  Art  /  3 Comments  /  Zachary Hayes

Touchpuppet favorite Solve Sundsbo shoots another one of our favorites, Magdalena Frackowiak, for the April 2009 issue of Vogue China.

19 Jun 09  /  Photography  /  No Comments  /  Zachary Hayes

Just found the work of photographer Petros Chrisostomou. Very cool stuff. From his biography:
This “still life” photography highlights the qualities in the objects that I would like to pronounce, and in most cases, by juxtaposing them with particular scenarios, subverts our expectations towards them. The sensation of the uncanny is achieved through a disjunction in the work, due to the contrasting elements that have been combined, that allows the viewer to speculate the real and the imaginary and therefore may lend itself to the ideologies of the surrealists.

18 Jun 09  /  Features, Photographer Spotlight, Photography  /  2 Comments  /  Zachary Hayes